Super thanks to Kitty for putting the effort to translate this long article
[Interview] <Fly Daddy> Lee Junki- Dreaming To Be An Extraordinary Actor
The phrase one can most easily put next to actor Lee Junki's name is 'a man more beautiful than women'. To an actor, these words could mean poison or medicine, and Lee Junki has chosen to make it a strong point of his career. Even up to the filming of <The King's Man>, Lee Junki probably felt uneasiness towards the future of his acting days. However, <The King's Man>, which broke records in the korean movie industry, brought large changes into the life of his acting career. Lee Junki, who is now wrapped around in confidence about acting, attempts to be even more unusual with the movie <Fly Daddy>. Max Movie met actor Lee Junki, who tries to bring out the best of his characters with his brilliant looks.
#1. Walking the way of being an actor between heaven and hell
The starting point of an acting career is the desire to do it. He discovered the road he wanted to follow after being dragged to a small theatre by a friend of his who was studying theatre in the 10th grade. Lee Junki, who felt the thrill from the actor standing onstage, decided then that he wanted to be the kind of person who gave others that same feeling also. "I was envious of the looks from the audience that the actor onstage received. I was so full of admiration to that actor, who could control the audience's emotions, that he even looked like God."
Although he is a star that everyone in the nation now recognizes, the looks he used to receive from back when he first started acting were unkind. Because he had never had any acting lessons of any kind before then, people gave him scornful laughs in return for his acting. He didn't want to back out now, though he had started at a later age than others surrounded by the scornful laughter. Instead, he stepped forward one by one. He wanted to prove to everyone that there was no one to stop a person who worked hard towards their dreams from progressing. He failed at many auditions, but never once did he regret taking this certain road. "Even now, I'm still working hard to fill in the spots that I'm not good at with passion."
With difficulty, he got into a major in theatre, but the act of stepping one's first foot into society couldn't be done with just passion. "During those days, people probably only saw the negative sides of me." His naive mind to want to move another person's emotions onstage had turned into 'a mission'. "These days, I involuntarily get mad when someone says that I can't act, because my self-respect has become stronger." He says that nowadays, he goes between heaven and hell based on the general public's judgement on his acting skills.
#2. The future rests on how hard I work
"'During <The King's Man>, I wish that some other actor had done it'. I would've been really depressed if the major reaction had been this." The starting point where he began to leave a deep impression on the audiences was <The King's Man>. Lee Junki found a more mature side of him after the release of <The King's Man>. His popularity, which doesn't seem to go down even after time passes, changed his views on acting. "I'm still lacking a lot of things to be able to win the 'Best Male Actor' award. I want to go after the award when I'm in my thirties. I feel that just receiving the 'Best Newcomer' award during my twenties is a valuable start."
Good acting doesn't come naturally, and so one has to work harder than anything for it. His wanting to be a true actor instead of a shining star shows during filming. He showed us his sensible way of thinking, telling us that the immense popularity he had right now wouldn't last forever. He deals with the biased views people have of him in an intelligent way. It's been a long time since he threw away the fear of losing his popularity, which is bound to come down at some time.
In reply to the question of 'where do you think you will be in twenty years', he replied carefully, "It depends on how much hard work I put in". "I believe that I'll be either one or the other: a fallen actor, or an actor who is still doing well until then. Instead of being swept up in popularity, I want to devote myself to my work diligently. If there is one thing I want to hear when I'm that age is that I still have potential to be an actor."
An actor has to be able to do anything for his/her character. He believes that although it is not the chosen work, an actor is a 'conductor' due to the fact that they have the chance to freely move around a person's emotions. "I think that the key point is to be able to express the scenario that one has read enjoyably. I'm not someone who can perfectly pull off a role, but I want to continue my career steadily in search of a solution."
During the interview, Lee Junki kept repeating this: "I want to get out of the image of 'GongGil'." This is the reason he chose to do <Fly Daddy>. Lee Junki, who has been receiving much love from female fans with his 'cute guy' image, is learning how to live life from his acting in a renewed way. "I think he's similiar to me in the fact that he doesn't easily agree with the world. For his past that wasn't expressed in the scenario, the director and I discussed it and made it."
He knows that people will give a cold evalution of his acting. Although he buys misunderstandings because of his confidence and nonawareness of other people's bad gazes towards himself, he feels that anti's are parts of being an actor with a large amount of popularity. His actions have become careful because of the attention everyone has on his daily, personal life as well. "I feel that it's one of the things I have to accept, being a public figure."
#3. Patient of fear of heights rock-climbs
Thanks to regular exercise, there was no difficulty in acting out action scenes. However, for the filming of the rock-climbing, there were some real hardships. His body had a rejecting reaction because of the use of muscles that he didn't normally use. Watching people rock-climb on TV, he thought that, 'All I have to do is hold on to the rocks and go up', but as it turned out, it wasn't that simple. "It was hard supporting myself with the power of my finger joints. I had to work hard to make myself look like a real rock-climbing professional."
In real life, he has a fear of heights that everytime he goes somewhere high up, he starts to tremble, but in the movie, he really wanted to act the part of 'SeungSuk'. Upon first receiving the scenario, he thought that the character 'SeungSuk' had as much pain as himself. "I felt that a made-up character lacking facial wounds would lessen the spirit. I had a lot of discussions with the director about the size of the wound. If it was too big, then it might come off as unlikeable. We must've discussed these things for almost a month (laugh)."
While filming <Fly Daddy>, he felt an unspeakable fear, but didn't let it on to anyone. This was because he didn't want to make everyone around him do more hard work just for him. Lee Junki has an opinion that as an actor, he should get through his fears, and right now, he's happier than anyone could be. "I don't want to be a star who shines and then disappears. I want to be a true actor who marks his place among the crowd."
#4. I don't want to imitate someone else's acting
Lee Junki, who gained instant fame with the movie <The King's Man>, still has the mind he had as a newcomer. He says that although his surroundings have changed drastically, the 'human Lee Junki' hasn't changed at all. He hasn't forgotten about his ambition to go forward as an actor, no matter what his popularity is. This actor, who still has an endless list of things to show us, couldn't seem to contain his passion. "To succeed more, I need to pick good productions to further increase myself as an actor than do a film with a female actress. To an actor, it's a great experience to be able to do well in a film."
Coming back as a strong guy and smelling of sweat in <Fly Daddy>, he didn't read the original novel nor watch the Japanese movie based on <Fly Daddy>. He had a chance to, but he didn't. This was because he felt that it would interfere with his own making of the character of 'SeungSuk'. In the case of <The King's Man>, he did watch the play <Yi> beforehand, but it didn't help much, and only interfered with his own making of 'GongGil'. "I didn't want to copy whoever did the character first".
There are some actors who only want to emboss their own characters without thinking of the flow of the story. In opposition, there are also actors who make the story live and at the same time emboss their own characters as well. Without an explanation needed, actor Lee Junki wants to be the latter and always asks himself, 'What would I do if I were 'SeungSuk' in a situation like this?', never letting the character get out of his body.
#5. With unwavering trust in acting..
In contrast with his feminine looks, he has self-control that is almost to the point of stubbornness. He is even clear and accurate with his choosing of films. He chooses films that he can convey the emotions he himself felt while filming to the audience. To an actor, the audience's interest in one's acting is essential. Although he is in the place of a star at the moment, he wants to keep on jumping over obstacles in his career.
There are a lot of actors who can act in front of a camera, but there aren't many actors who are willing to give their trust to the audience. Lee Junki, who still is embarassed when referred to himself as a main actor, prefers to call himself a cooperation actor instead. "In the case of <The King's Man>, each and every day was filled with tension, but I think that I filmed <Fly Daddy> more enjoyably. I was even more happy because of Lee MoonShik senior, who never got annoyed or irritated in times of hard work and led me through with a relaxing mind."
Because of the uncertainty of his acting taking a step back, he doesn't even have any blank time. That's why he says that he wishes that when he does have some free time, he wants to go to an empty beach and think about himself and his actions over past events.
Lee Junki, who is standing where he is now thanks to his unwavering trust in acting, says that the one thing he wants to hear after <Fly Daddy> is that he is an actor who has completed a successful film. He says that when he met with the director after finishing up the filming of <Fly Daddy>, that his trust didn't waver a bit in the film. He says that this was because of how enjoyable it was to film it, and his belief that he has finished a film that lets out emotions about the importance of family. He didn't even seem to have any burdens about all the attention it has been getting. We are looking forward to Lee Junki, who has jumped over his reputation as a 'pretty guy' into an 'actor with acting skills'.
-credits to mentor, seirin, translations by taeyeonkat@lovejunki.net
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X at twitchfilm.net wrote a super long review of King and the Clown which was posted yesterday. I extract only the parts related to Junki:
Yet the biggest story of The King and The Clown ended up becoming someone else. Despite turning the strong homosexual code of the play into thinly veiled (no pun intended) undertones and a mere kiss, despite the focus shifting from Gong-Gil to Jang-Saeng, Lee Joon-Gi became a superstar anyway. In some ways, the fact Director Lee opted for a subtler approach to Jang-Saeng and Gong-Gil's relationship (who actually kiss each other in the play) helped the film succeed even more. The film never explicitly pushes an homosexual relationship between the two Clowns, it instead highlights their strong relationship as something more than working partners. And one of the reasons why Lee was perfect for the role is that he's the embodiment of a powerful new trend in Korean pop culture, that of the cross-sexual -- this has nothing to do with past metrosexuals, mind you.
Lee possesses the kind of beauty which charms women and intrigues men, he mixes masculine and feminine elements, yin and yang. That this is a huge trend you can see it clearly on TV, with characters like 주몽 (Jumong)'s Sayong, neither man nor woman, a mix of strength and sensibility. Lee Joon-Gi's 'cross-sexual 'look certainly helped the role in ways even someone like Park Hae-Il wouldn't have been able to, but beyond the social issue it has become, the presence of this 동성애 (Homoerotic) code has been not only overstated by Western Media, who almost made The King and The Clown look like some kind of Sageuk version of Brokeback Mountain, it was never intended in the first place by its makers.
Lee's appearance and that famous kiss certainly help that misinterpretation, but calling it simple homoeroticism on sexual terms fails to consider the kind of period we're dealing with, and the position of the man supposedly influenced by this code. What Yeonsan is looking for is not a lover per se. Gong-Gil simply becomes a surrogate for what Yeonsan desires, and he's the embodiment of everything Yeonsan lacks. So in this case, that 'King's Man' of the Korean title can only be a man for that reason, because in Gong-Gil Yeonsan sees the freedom he can never have. He plays with Gong-Gil and through those moments becomes a Clown himself, becomes Lee Yoong the man, and not Yeonsan the King. He escapes from the trap of Royalty he should have never been involved with, and finds a space to breathe.
His kiss, more than act of sexual attraction, is the release of emotional tension pent up for way too long, exploding when Yeonsan feels he's losing the only person who can bring him happiness. Yeonsan came to power suffering the consequences of the Censorate's vicious criticism of just about every single policy his father Seongjong made before passing the throne to him, so he needs an escape valve, something to remind him of his being human. For a while he finds that escape through Nok-Soo, who sort of becomes a surrogate for his mother -- you see them playing silly games on his bedroom after the Clowns' performances -- and his only confidant. But then Gong-Gil, whose practice of selling his body to rich Yangban angered Jang-Saeng before joining the Palace, enters his life. In him, Yeonsan finds something much more important than an escape valve, beyond the fact he's a pretty, young and effeminate lad.
Gong-Gil represents everything Yeonsan can't have and could never do. He's not someone he's addicted to. In the same way, the strange relationship between Gong-Gil and Jang-Saeng, with a hint of potential romance, is something which was probably exaggerated by marketing. The most important moments of the film regarding the two are their 'you're there and I'm here' play on top of the hill, and after Jang-Saeng gets punished by the King, his realizing that he can only find his identity (as a Clown and a person) through his partner's view of him. So is it homoerotic? Certainly there are some undertones (and you could argue they were put there to make a bigger impact at the box office, too), but don't misunderstand this film as a Brokeback Mountain of the East, because then you'll lose the central theme of the film, which is finding one's identity as a person first and foremost. So Gong-Gil might be 'The King's Man' for Yeonsan, but when Jang-Saeng finally finds his true identity walking the ropes, playing the King next to the man who went through so many things with him, Gong-Gil becomes another King's man as well.
Junki's interview (Disc 3, Special Edition set):
Lee Joon-Gi: "At the beginning of those two months of practice and training I really was worried I wouldn't be able to do anything. You know, I worried the director would have to resort to using someone else, so the first thing I focused on was trying my best to improve, that was it. As I started learning, I noticed something. I'm pretty much used to modern ballet and similar things [one of his previous films, Byun Young-Joo's 발레교습소 (Flying Boys) involved ballet dancers], but when it comes to that distinctive rhythm which comes from our traditional culture, my body just wouldn't listen. All the other actors were a little older, and they could understand, immerse themselves in that kind of rhythm, but all I tried was to look as good as possible within the world shown by the camera."
Lee Joon-Gi: "At first I was really worried about the interaction with the characters and the performances themselves, I was afraid I wouldn't be able to do anything. But they just told me to do it, to relax and just do it. Nothing else. I was a little uncomfortable as not having a structure to follow is always hard for me, and I was dealing with senior actors, but I followed their advice to the best of my abilities."
(We see Lee nervously smoking after playing his part in the Beijing Opera scene, with everyone around him reassuring him he was really good, particularly Jung Jin-Young.)
Lee Joon-Gi: "I gained immensely through this film, most importantly confidence. Whatever people felt through my performance bringing them to give me so much support, be it because of acting or anything else, I think I'll remember this film for a long time."
credit: X at twitchfilm.net+thunderbolt@soompi
K & C Review Part 1:
http://www.twitchfilm.net/archives/006939.htmlPart 2:
http://www.twitchfilm.net/archives/006940.htmlPart 3:
http://www.twitchfilm.net/archives/006941.html_____________________________________________________________________
Mentor updated his schedule
July 25 MBC Section TV Entertainment Communication Interview
July 25 Japan Magazine Interview
July 26 Opening Film Festival?
July 26 Fly Daddy Preview
July 27 Filming 'Magnificent Holidays'
July 28 Filming 'Magnificent Holidays'
July 29 Filming 'Magnificent Holidays'
Aug 1 Filming 'Magnificent Holidays'
Aug 2 Fly Daddy stage greeting
Aug 3 Fly Daddy stage greeting
Aug 4 Fly Daddy stage greeting
Aug 5 Fly Daddy stage greeting
Aug 6 Fly Daddy stage greeting
credits : seirin@soompi
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