Exclusive: Ninja Assassin Stunt Guru on the Film’s Blend of HK and Japanese Fight Styles and How Its Fight-Prodigy Star Was DiscoveredIf you’re fired up to see Ninja Assassin, the stormy, dark-hued Wachowski Brothers fight film that crashes into theaters November 25th, chances are it’s not because of the unconsummated love of two teenage heartthrobs with windswept hair. Let’s just be honest: It’s the action, stupid.
Put simply, the action in Assassin is going to rock. Rain, the film’s Korean pop-star lead, may seem at first blush a bit of a Timberlake wannabe, but the fact is, the guy is a total martial arts prodigy. He performed virtually all of his own stunts and completely owns the many fights in the film. What’s more, you’re going to be able to tell it’s Rain himself bringing the carnage, not a stunt double, because this fast-paced, bloody, and acrobatic film is an homage to the old Hong Kong movies, with longer takes, wider lenses, and less dependence on wire effects — all of which allows for more focus on pure martial arts skill and beauty.
This emphasis on kicking ass old-school was driven home repeatedly by Chad Stahelski, a stunt coordinator and second unit director on Ninja Assassin, when he spoke at length the other day with 30 Ninjas Editor-in-Chief Julina Tatlock. Chad knows Assassin up and down, since it was he, along with his business partner in 87 Eleven Dave Leitch, who originally pitched Rain as the star of a ninja movie to the Wachowski Brothers (The Matrix trilogy).
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The Perfect Recipe For a Bloody-Good Ninja30 NINJAS: Can you tell me a little bit about your perceptions of the fighting techniques that go into making a great ninja fighter?
CHAD STAHELSKI: A lot of that is the perception and the tone of the film. If we were making, say, a very historically accurate or very realistic movie, the reality of the situation is that one guy dressed in black clothes, probably even in Japanese feudal times, wasn’t going to take on a whole regiment of samurai and survive — it just wasn’t going to happen. So we take a little creative leeway in making a ninja movie. What we wanted to do on Ninja Assassin, in terms of the fighting styles, was to show off more of the human talent, [make it] more of an ode to early Hong Kong films, where it takes a little longer in between cuts — a little less like The Bourne Supremacy. We had longer takes and a little bit wider lenses, so you got to see more of the action. In Ninja Assassin, you get to see Rain actually be Rain, and do his thing, [fighting] our stunt guys.
We thought the ninjas should be physically very well adapted to all kind of things, like acrobatics and sword works. We tried to keep a very distinct style of kinjitsu, which is a Japanese sword art, in our stunt guys’ movements, and we combined a little acrobatics and a little bit of Hong Kong-style reactions, just to give it a little bit of flair on top of the grit. To do that, we just brought in some of the best guys that we could find in martial arts choreography. I guess you’d say we tried to give it a very Japanese flavor with the sword work, at the same time sprinkling in some of the Hong Kong elements and some more of the American elements, as far as a little more rough-and-tumble and a bit bloodier.
30 NINJAS: But there’s a slightly higher survival rate for the heroes of the film …
CS: Yeah, exactly. We just made Rain be a little bit better than everyone else. One of the mottoes for all the heroes and in all the choreography that we do here at [our stunt company] 87 Eleven is: We really beat up our heroes a little bit. We’re not big fans of trying to make Terminators out of them all. We like our heroes to get beat up and still overcome, and they take punches, and they still give back twice as good as they get. So at the end of the movie, that’s why you see Rain completely bruised, battered, and cut up and bloodied.
30 NINJAS: If they’re not touchable, it takes away the jeopardy of it, and the seriousness of the fight. You want to see the reaction of the hit — whether it’s a good guy or a bad guy getting hit.
CS: Right, like when Rain jumps knowing he’s gonna make it, he jumps because he has to jump. He fights because he has to fight. He’s trying to find time for Mika [his lover], or he’s trying to escape; he’s never just gonna stand in the center of a room and wipe out 20 ninjas. There’s a purpose to him. He’s trying to get away, and you know he’s barely getting by, by the skin of his teeth.
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