09.14.06
A Superior Weepie About the Meaning of Compassion: Happy Hours and Two Complex Stars
The film “Our Happy Time,” which went on general release on Thursday, tells a doomed love story
between a woman who longs for death and a man who is being forced to face it against his will.
The movie has all the typical elements of a melodrama, and the simple plot makes it easy
to predict what the two have been doing and will be doing next -- and that is just what happens.
What makes the movie special is the undeniable charm of the two young stars and the director’s
ability to express nuances. The film is an excellent choice for those who are looking for a weepie this fall.
Lee Na-young and Kang Dong-won pose for a photo during a press conference
for the film ‘Our Happy Time’ on Tuesday.
After failing to kill herself for the third time, Lee Na-young’s character comes
to visit Kang Dong-won’s character, a prisoner sentenced to death.
Imprisoned for murdering three people, his initial response to her is cold,
but soon the walls between them break down and they tell each other
of their painful past. Lee and Kang, whose strength lies in expressing
the weaknesses of human beings, are ideally cast in a film about understanding
and love between those with an excruciating pain in their heart.

A poster for “Our Happy Time”
Lee proves that she is fully capable of taking the lead in a film. She confesses a past that
she has been hiding in sentences broken by the difficulty of doing so. That is what makes
it so moving. Where “queen of tears” Jeon Do-yeon expresses her characters’ pain by
weeping copiously, Lee desperately tries to fight her tears. Kang also acquits himself
more than honorably by perfectly inhabiting a character where audiences can focus
on his acting rather than his pretty face. Since ambition is the first step to becoming
a great actor, Kang’s future in the craft looks bright.
Song Hae-seong, who directed “Failan,” again showcases his uncanny ability to understand
when he should make his audiences cry or wipe their tears away. His skill in showing changes
in the character’s view of life with seemingly trivial actions adds vitality to the well-worn story.
This melodrama is less about love than about compassion: both rich and poor, killers and suicides
are entitled to our compassion. While it cannot save the dying, it can be a warm blanket that
helps them withstand the sense of futility in life. But wait: isn’t compassion the very thing
that lies at the heart of love?
(englishnews@chosun.com )
Credit : kamin@KTF's House (www.popcornfor2.com)